This device did not make one noise of static, no clicks, no pops, and I was moving around a lot and walking the distance of an about 100-foot wide stage (with the Stompbox placed right in the center). It was quick and easy to pair up and performed without a hitch. I loved the idea of having it be in the form of a pedal that would go right alongside my other ones. I was introduced to the Audio-Technica System 10 Stompbox Wireless System. I can’t be trying to pack a full-rack unit. But I needed to have a very small footprint I could travel with on a plane, while retaining great quality. So I switched my focus to acquire a few pedals that are exceptional at what they do, rather than settle for a jack-of-all/master-of-none pedal.įirst, I needed to be wireless. I’ve tried several different pedals with amp modeling, but nothing was getting the tone that I really wanted. Stage volume is crucial to a symphony so it is preferred to not have a blaring guitar amp on stage. One thing that really created a need to have an ampless rig and be as portable as possible was doing fly-in tour dates and performing with symphonies. ![]() Each of these settings offers a different curveball to overcome, and sometimes you need to adapt your sound accordingly. If you missed Frank’s previous post, you can read it here.Īfter years of honing my preferred guitar tones, I’ve had to adapt them to different settings, from full amps and mics in the recording studio, to plug-ins, to live performances with and without amps. Today Frank writes about his move to a travel-friendly setup. This is the 19th installment in guest blogger Frank Klepacki’s series on music production.
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